Authenticity and Replication

Authenticity and Replication
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Art.Nr.: L 8804-6A
Authenticity and Replication

Rebecca Gordon / Erma Hermens / Frances Lennard (Eds.):

Authenticity and Replication

The 'Real Thing' in Art and Conservation

2014. 214 S. Zahlr. Farbabb. Br.

The papers within this volume – some reflective and philosophical, others more object- and practice-based – address the complexities of the value of authenticity and replication and enable the continuation of a discussion that is at the heart of interpretation, display and conservation of our cultural heritage.
New approaches towards interpretation, display and use of collections by the cultural heritage sector has made the roles of curators, conservators, art historians, and conservation scientists increasingly complex.
Advances in conservation science provide increasing amounts of information about the tangible properties of objects, while the intangible and conceptual qualities, of contemporary and non-western artefacts in particular, also influence the work of the museum professional. The concept of authenticity is one of the core factors driving decision making.
Papers in this volume examine five key areas of discussion: modern materials; the value of authenticity and replication; concept, practices and results of technical examination; enhancing the value of collections; connected histories: making, meaning, interpretation.


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Dieser Artikel wurde am Montag, 06. November 2017 zuletzt bearbeitet.


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