Adhesives and Consolidants in Painting Conservation

Adhesives and Consolidants in Painting Conservation
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Art.Nr.: L 8434-6A
Adhesives and Consolidants in Painting Conservation

Angelina Barros D'Sa / Lizzie Bone / Alexandra Gent (Eds.):

Adhesives and Consolidants in Painting Conservation

2012. 109 S. Zahlr. Farbabb. Br.

Adhesives and consolidants used in the conservation of paintings (e.g. for lining, the laying down of paint flakes, the application of temporary facings etc, can have very varying properties at the time they are applied. Over time, and under differing conditions, some materials can present concerns for the conservator including brittleness, yellowing and discolouration and difficulty in removal.
The papers in this volume, presented at an ICON paintings group conference at the National Portrait Gallery, London, confront some of the problems encountered including: the practical application of materials; reversibility and long-term performance; the properties required of an adhesive and the properties of some of the materials commonly used as consolidants / adhesives.

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Adhesive Compendium

Adhesive Compendium

Jane L. Down:

Adhesive Compendium for Conservation

2015. 256 S. Zahlr. teils farb. Abb. u. Tab. Br.

This compendium offers information, guidelines and research results on the proper use of adhesives in conservation. As an easy reference on an exhaustive range of adhesives, it is an invaluable asset for conservation professionals and students alike.

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Mikrochemie-Handbuch

Mikrochemie-Handbuch

Hermann Kühn / Cristina Thieme:

Mikrochemie-Handbuch

Teil I – Pigmente und Farbstoffe, Teil II – Bindemittel

2015. 80 S. Zahlr. teils farb. Abb. u. Tab. im DIN A 5 Ordner.

Die Anwendung der Mikrochemie bei der naturwissenschaftlichen Untersuchung von Kunstwerken sowie in der Restaurierung.

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Current Technical Challenges

Current Technical Challenges

A. Barros D'Sa / L. Bone / R. Clarricoates / H. Dowding (Eds.):

Current Technical Challenges in the Conservation of Painting

2015. 126 S. 12 s/w- u. 47 Farbabb. Br.

A variety of topics: consolidants and flake laying; the possible use of sports injury tape as a temporary means of support during structural conservation treatments; rigid inserts to stretchers to reduce vibrations; auxiliary supports for modern paintings; the problem of softening and weeping paints in modern works of art and methods of treatment; wet surface cleaning treatments for contemporary paintings; and ethical considerations when dealing with conceptual artists' wishes.

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Paintings in the Laboratory

Paintings in the Laboratory

Karen Groen:

Paintings in the Laboratory

Scientific Examination for Art History and Conservation

2014. 200 S. Zahlr. Abb. u. Tab. Br.

Includes studies not only on paintings by Rembrandt but also on those painted by Frans Hals, Judith Leyster and Johannes Vermeer as well as studies of changes in painter's materials, such as the pigments in Dutch still-life paintings, and in works by Lucas Van Leyden, Claude Lorrain and others.

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Colour Change in Paintings

Colour Change in Paintings

Rhiannon Clarricoates / Helen Dowding / Alexandra Gent (Eds.):

Colour Change in Paintings

2016. 138 S. Zahlr. teils farb. Abb. Br.

Changes in colour may completely alter the way we see a painting. From blue leaves in a still life, to the blue walls in Van Gogh's bedroom, our perception of a painting can be informed by an understanding of these changes. When conserving paintings our comprehension of these alterations can influence the way we display and restore them.

45,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Deichsler-Altar

Deichsler-Altar

Frank Matthias Kammel (Hrsg.):

Der Deichsler-Altar – Nürnberger Kunst um 1420

Begleitband zur Ausstellung vom 5.5. bis 23.10.2016

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18,00 EUR ( zzgl. Versandkosten bei Auslandsversand)

Dieser Artikel wurde am Montag, 06. November 2017 zuletzt bearbeitet.

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