Current Technical Challenges

Current Technical Challenges
Bild vergrößern

45,00 EUR

zzgl. Versandkosten bei Auslandsversand

Art.Nr.: L 9277-6A
Current Technical Challenges

A. Barros D'Sa / L. Bone / R. Clarricoates / H. Dowding (Eds.):

Current Technical Challenges in the Conservation of Painting

2015. 126 S. 12 s/w- u. 47 Farbabb. Br.

As artists have increasingly utilised modern materials and techniques, it has presented the conservator with a host of new and complex problems that need to be addressed. As such, this is a subject of great interest to conservators, many of whom had expressed an interest in an event that could supplement their existing knowledge in this field. In response to this, the Institute of Conservation's Paintings Group decided that this would be an appropriate theme for a conference that could provide a platform for contributors to disseminate their research on a number of topics relating to the conservation of contemporary art works. In addition, a call was put out for contributors who might be developing new and innovative techniques and materials to address conservation problems, or who might be utilising well-known materials that are already in the conservator's toolkit in a new capacity.
The papers in this volume were presented at the Paintings Group's conference Modern Conservation: What's New? held at The Wallace Collection in London in October 2014. It covered a variety of topics including: consolidants and flake laying; the possible use of sports injury tape as a temporary means of support during structural conservation treatments; rigid inserts to stretchers to reduce vibrations; auxiliary supports for modern paintings; the problem of softening and weeping paints in modern works of art and methods of treatment; wet surface cleaning treatments for contemporary paintings; and ethical considerations when dealing with conceptual artists' wishes.

Kundenrezensionen:

Autor:  Gast am 21.02.2018
Bewertung:0 von 5 Sternen!

Rezension:

Bewertung schreiben

Kunden, die diesen Artikel kauften, haben auch folgende Artikel bestellt:

Adhesive Compendium

Adhesive Compendium

Jane L. Down:

Adhesive Compendium for Conservation

2015. 256 S. Zahlr. teils farb. Abb. u. Tab. Br.

This compendium offers information, guidelines and research results on the proper use of adhesives in conservation. As an easy reference on an exhaustive range of adhesives, it is an invaluable asset for conservation professionals and students alike.

99,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Mikrochemie-Handbuch

Mikrochemie-Handbuch

Hermann Kühn / Cristina Thieme:

Mikrochemie-Handbuch

Teil I – Pigmente und Farbstoffe, Teil II – Bindemittel

2015. 80 S. Zahlr. teils farb. Abb. u. Tab. im DIN A 5 Ordner.

Die Anwendung der Mikrochemie bei der naturwissenschaftlichen Untersuchung von Kunstwerken sowie in der Restaurierung.

39,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Adhesives and Consolidants in Painting Conservation

Adhesives and Consolidants in Painting Conservation

Angelina Barros D'Sa / Lizzie Bone / Alexandra Gent (Eds.):

Adhesives and Consolidants in Painting Conservation

2012. 109 S. Zahlr. Farbabb. Br.

Adhesives and consolidants used in the conservation of paintings can have very varying properties at the time they are applied. Over time, and under differing conditions, some materials can present concerns for the conservator including brittleness, yellowing and discolouration and difficulty in removal.

39,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Conservation of Easel Paintings

Conservation of Easel Paintings

Joyce Hill Stoner / Rebecca Rushfield (Eds.):

Conservation of Easel Paintings

2012. 928 S. Zahlr. Abb. Gebunden.

An all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing.

298,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Paintings in the Laboratory

Paintings in the Laboratory

Karen Groen:

Paintings in the Laboratory

Scientific Examination for Art History and Conservation

2014. 200 S. Zahlr. Abb. u. Tab. Br.

Includes studies not only on paintings by Rembrandt but also on those painted by Frans Hals, Judith Leyster and Johannes Vermeer as well as studies of changes in painter's materials, such as the pigments in Dutch still-life paintings, and in works by Lucas Van Leyden, Claude Lorrain and others.

49,80 EUR ( zzgl. Versandkosten bei Auslandsversand)
Wieder salonfähig

Wieder salonfähig

Generaldir. kult. Erbe Rheinland-Pfalz, Dir. Landesdenkmalpfl.:

Wieder salonfähig

Handbemalte Tapeten des 18. Jahrhunderts

2016. 200 S. 210 Abb. Br.

esetzten Kolloquiums wieder, das anlässlich der Restaurierung der Kauber Tapeten im März 2013 von der Generaldirektion Kulturelles Erbe Rheinland-Pfalz veranstaltet wurde. Er beschäftigt sich mit der Verbreitung und kunsthistorischen Bedeutung des Wandschmucks sowie den technischen Fragen seiner Herstellung und Konservierung. Darüber hinaus bezieht er Beispiele aus Deutschland, der Schweiz und Frankreich ein und stellt sie in den Kontext der überregional tätigen Produktionsstätten.

24,95 EUR ( zzgl. Versandkosten bei Auslandsversand)

Dieser Artikel wurde am Montag, 06. November 2017 zuletzt bearbeitet.

Warenkorb

Ihr Warenkorb ist leer.

Willkommen zurück!

E-Mail-Adresse:
Passwort:
Passwort vergessen?

Atelier Benad: Seminare

Promuseo

Messe denkmal

PHOTOLIFTER