A Perfect Ground

119,00 EUR

zzgl. Versandkosten bei Auslandsversand

Art.Nr.: L 9651-T6
A Perfect Ground

Maartje Stols-Witlox:

A Perfect Ground: preparatory layers for oil paintings 1550 – 1900

(Erscheint im Dez. 2017)
2017. Br. ca.

The influence of preparatory layers on the stability of oil paintings is a subject that has occupied the minds of many authors of artist's manuals, recipe books and related historical sources. Depending on their location in time and space, artists have had different views on the subject and have selected different materials and techniques to prepare their support for painting. Preparatory layers influence the texture of a painting, the colour has an impact on tonality of the picture and their absorbency influences painting technique chemistry. They co-determine the ageing and degradation of the painting. Because of these facts, the technique and materials of preparatory layers are of interest to many. For conservators, information on the layer structure – their composition and the degradation of their materials are particularly important. A good understanding of the intention of the artist and the original appearance of the painting is also necessary, since these influence conservation decisions.

Kundenrezensionen:

Autor:  Gast am 03.09.2019
Bewertung:0 von 5 Sternen!

Rezension:

Autor:  Gast am 05.07.2019
Bewertung:0 von 5 Sternen!

Rezension:

Autor:  Gast am 22.06.2019
Bewertung:0 von 5 Sternen!

Rezension:

Autor:  Gast am 31.05.2019
Bewertung:0 von 5 Sternen!

Rezension:

Autor:  Gast am 09.03.2019
Bewertung:0 von 5 Sternen!

Rezension:

Bewertung schreiben

Kunden, die diesen Artikel kauften, haben auch folgende Artikel bestellt:

Colours

Colours

Victoria Finlay:

Colours

Die Geschichte der Farben

2015. Ca. 128 S. 165 Farbabb. Gebunden.


– Bietet Hintergrundinformationen zu Farbe in Geschichte, Wissenschaft und Kunst
– Attraktiv illustriert mit Kunstwerken aus dem J. Paul Getty Museum
– Mit unterhaltsamen Anekdoten.

24,95 EUR ( zzgl. Versandkosten bei Auslandsversand)
Mixing and Matching

Mixing and Matching

Ellison / Smithen / Turnbull:

Mixing and Matching

Approaches to Retouching Paintings

2010. 179 S. Zahlr. Abb. Kt.

The history, development and method of application of each technique is discussed and illustrated, while additional papers explore practical and theoretical aspects of colour matching.

58,00 EUR ( zzgl. Versandkosten bei Auslandsversand)
Adhesives and Consolidants in Painting Conservation

Adhesives and Consolidants in Painting Conservation

Angelina Barros D\'Sa / Lizzie Bone / Alexandra Gent (Eds.):

Adhesives and Consolidants in Painting Conservation

2012. 109 S. Zahlr. Farbabb. Br.

Adhesives and consolidants used in the conservation of paintings can have very varying properties at the time they are applied. Over time, and under differing conditions, some materials can present concerns for the conservator including brittleness, yellowing and discolouration and difficulty in removal.

39,00 EUR ( zzgl. Versandkosten bei Auslandsversand)

Dieser Artikel wurde am Mittwoch, 19. Juni 2019 zuletzt bearbeitet.

Warenkorb

Ihr Warenkorb ist leer.

Willkommen zurück!

E-Mail-Adresse:
Passwort:
Passwort vergessen?

Belo Restaurierungsgeräte GmbH

Promuseo

Messe denkmal

PHOTOLIFTER